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The Lisu people (Lìsù zú) are a Tibeto-Burman ethnic group who inhabit the mountainous regions of Burma (Myanmar), Southwest China, Thailand, and the Indian state of Arunachal Pradesh.<br/><br/> About 730,000 live in Lijiang, Baoshan, Nujiang, Diqing and Dehong prefectures in Yunnan Province, China. The Lisu form one of the 56 ethnic groups officially recognized by the People's Republic of China. In Burma, the Lisu are known as one of the seven Kachin minority groups and an estimated population of 350,000 Lisu live in Kachin and Shan State in Burma. Approximately 55,000 live in Thailand, where they are one of the six main hill tribes. They mainly inhabit the remote country areas. Their culture has traits shared with the Ayi culture.
The Lisu people (Lìsù zú) are a Tibeto-Burman ethnic group who inhabit the mountainous regions of Burma (Myanmar), Southwest China, Thailand, and the Indian state of Arunachal Pradesh.<br/><br/> About 730,000 live in Lijiang, Baoshan, Nujiang, Diqing and Dehong prefectures in Yunnan Province, China. The Lisu form one of the 56 ethnic groups officially recognized by the People's Republic of China. In Burma, the Lisu are known as one of the seven Kachin minority groups and an estimated population of 350,000 Lisu live in Kachin and Shan State in Burma. Approximately 55,000 live in Thailand, where they are one of the six main hill tribes. They mainly inhabit the remote country areas. Their culture has traits shared with the Ayi culture.
The Lisu people (Lìsù zú) are a Tibeto-Burman ethnic group who inhabit the mountainous regions of Burma (Myanmar), Southwest China, Thailand, and the Indian state of Arunachal Pradesh.<br/><br/> About 730,000 live in Lijiang, Baoshan, Nujiang, Diqing and Dehong prefectures in Yunnan Province, China. The Lisu form one of the 56 ethnic groups officially recognized by the People's Republic of China. In Burma, the Lisu are known as one of the seven Kachin minority groups and an estimated population of 350,000 Lisu live in Kachin and Shan State in Burma. Approximately 55,000 live in Thailand, where they are one of the six main hill tribes. They mainly inhabit the remote country areas. Their culture has traits shared with the Ayi culture.
The Lisu people (Lìsù zú) are a Tibeto-Burman ethnic group who inhabit the mountainous regions of Burma (Myanmar), Southwest China, Thailand, and the Indian state of Arunachal Pradesh.<br/><br/> About 730,000 live in Lijiang, Baoshan, Nujiang, Diqing and Dehong prefectures in Yunnan Province, China. The Lisu form one of the 56 ethnic groups officially recognized by the People's Republic of China. In Burma, the Lisu are known as one of the seven Kachin minority groups and an estimated population of 350,000 Lisu live in Kachin and Shan State in Burma. Approximately 55,000 live in Thailand, where they are one of the six main hill tribes. They mainly inhabit the remote country areas. Their culture has traits shared with the Ayi culture.
The Lisu people (Lìsù zú) are a Tibeto-Burman ethnic group who inhabit the mountainous regions of Burma (Myanmar), Southwest China, Thailand, and the Indian state of Arunachal Pradesh.<br/><br/> About 730,000 live in Lijiang, Baoshan, Nujiang, Diqing and Dehong prefectures in Yunnan Province, China. The Lisu form one of the 56 ethnic groups officially recognized by the People's Republic of China. In Burma, the Lisu are known as one of the seven Kachin minority groups and an estimated population of 350,000 Lisu live in Kachin and Shan State in Burma. Approximately 55,000 live in Thailand, where they are one of the six main hill tribes. They mainly inhabit the remote country areas. Their culture has traits shared with the Ayi culture.
The Lisu people (Lìsù zú) are a Tibeto-Burman ethnic group who inhabit the mountainous regions of Burma (Myanmar), Southwest China, Thailand, and the Indian state of Arunachal Pradesh.<br/><br/> About 730,000 live in Lijiang, Baoshan, Nujiang, Diqing and Dehong prefectures in Yunnan Province, China. The Lisu form one of the 56 ethnic groups officially recognized by the People's Republic of China. In Burma, the Lisu are known as one of the seven Kachin minority groups and an estimated population of 350,000 Lisu live in Kachin and Shan State in Burma. Approximately 55,000 live in Thailand, where they are one of the six main hill tribes. They mainly inhabit the remote country areas. Their culture has traits shared with the Ayi culture.
Burma / Myanmar: Palaung man and women (noted for their wooden waist bands) at a market in Pindaya, Burma. The Palaung are an ethnic minority that is indigenous to northern Burma, but also has pockets of people in Thailand and China’s Yunnan Province. Mostly resident in Shan State, the Palaung have a population of about 500,000.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
The Kurds are an ethnic Iranian group in the Middle East, mostly inhabiting a contiguous area spanning adjacent parts of modern-day Iran, Iraq, Syria, and Turkey, a geo-cultural region often referred to as 'Kurdistan'. The Kurds have ethnically diverse origins. They are culturally and linguistically closely related to the Iranian peoples and, as a result, are often themselves classified as an Iranian people. The Kurdish languages form a subgroup of the Northwestern Iranian languages.<br/><br/> The Kurds number about 40 million, the majority living in West Asia, including significant Kurdish diaspora communities in the cities of western Turkey outside of Kurdistan. A recent Kurdish diaspora has developed in Western countries, primarily in Germany. The Kurds are in the majority in the autonomous region of Iraqi Kurdistan and in the autonomous region of Syrian Kurdistan and are a significant minority group in the neighboring countries Turkey and Iran, where Kurdish nationalist movements continue to pursue autonomy.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Remarkable for their military prowess, their receptivity to Christianity, and their intricate all-embracing kinship network, the Kachins are a hardy mountain people living in the remote hills of northern Burma and on the peripheries of India and China.<br/><br/> 'Kachin' is actually a Burmese word that does not exist in any of the local dialects. Each Kachin tribe has a different name for themselves and their neighbours, but no word to describe the whole group. There are the Jinghpaw (known as Jingpo in China and Singpho in India), the Maru, the Lashi, the Atsi (or Szi), the Lisu and the Rawang—but those represent linguistic groups rather than actual nationalities. Far more important bonds are formed by an intricate system of clans, which cuts across tribal barriers.<br/><br/> Every 'Kachin' belongs to one of five original families: Marip, Maran, Lahpai, N'Hkum and Lattaw. These clans are related in an all-embracing kinship network of extreme complexity. In practice, however, this system binds together the Kachins into a remarkably tight-knit society.
Loy Krathong Parade, Chiang Mai, Northern Thailand. Loy Krathong is held annually on the full moon night of the 12th month in the traditional Thai lunar calendar. In northern Thailand this coincides with the Lanna festival known as Yi Peng.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning "new city") in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. Chiang Mai sometimes written as "Chiengmai" or "Chiangmai", is the largest and most culturally significant city in northern Thailand.
A hand-drawn, hand-coloured watercolour from the late 19th century by an unknown Burmese artist.<br/><br/> The name of the ethnic group featured appears near the top of the picture in Shan script (left), Burmese script (Centre) and Khun script (right). Khun script was formerly used in Kengtung / Kyaingtong in eastern Shan State and in Lan Na or Lanna, northern Thailand.<br/><br/> The Akha are an ethnic minority hilltribe that is indigenous to Burma, Thailand, Laos and China’s Yunnan Province with a total population estimated to be about half a million.
Loy Krathong Parade, Chiang Mai, Northern Thailand. Loy Krathong is held annually on the full moon night of the 12th month in the traditional Thai lunar calendar. In northern Thailand this coincides with the Lanna festival known as Yi Peng.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning "new city") in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. Chiang Mai sometimes written as "Chiengmai" or "Chiangmai", is the largest and most culturally significant city in northern Thailand.
A hand-drawn, hand-coloured watercolour from the late 19th century by an unknown Burmese artist.<br/><br/> The name of the ethnic group featured appears near the top of the picture in Shan script (left), Burmese script (Centre) and Khun script (right). Khun script was formerly used in Kengtung / Kyaingtong in eastern Shan State and in Lan Na or Lanna, northern Thailand.<br/><br/> The Lahu are an ethnic minority hilltribe that is indigenous to Thailand, Burma, Laos, Vietnam and China’s Yunnan Province with a total population estimated to be about 750,000. The Lahu divide themselves into a number of subgroups, such as the Lahu Na (Black Lahu), Lahu Nyi (Red Lahu), Lahu Hpu (White Lahu), Lahu Shi (Yellow Lahu) and the Lahu Shehleh. Where a subgroup name refers to a color, it refers to the traditional color of their dress.
A hand-drawn, hand-coloured watercolour from the late 19th century by an unknown Burmese artist.<br/><br/> The name of the ethnic group featured appears near the top of the picture in Shan script (left), Burmese script (Centre) and Khun script (right). Khun script was formerly used in Kengtung / Kyaingtong in eastern Shan State and in Lan Na or Lanna, northern Thailand.<br/><br/> The Lahu are an ethnic minority hilltribe that is indigenous to Thailand, Burma, Laos, Vietnam and China’s Yunnan Province with a total population estimated to be about 750,000. The Lahu divide themselves into a number of subgroups, such as the Lahu Na (Black Lahu), Lahu Nyi (Red Lahu), Lahu Hpu (White Lahu), Lahu Shi (Yellow Lahu) and the Lahu Shehleh. Where a subgroup name refers to a color, it refers to the traditional color of their dress.
The Karo, or Karonese, are the indigenous people of the Karo Plateau in North Sumatra. They belong linguistically to the Batak people but often consider themselves as separate. They speak the Batak Karo language.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
Although ballet in the classical European sense was unknown in Siam at the turn of the 20th century, the Siamese were avid theatre-goers. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’. In this scene, half the dancers wear male costumes, while the others (left of picture) wear a female ‘phasin’ or long sarong.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
The Siamese were avid theatre-goers at the turn of the 20th century. Mime, dance, plays and shadow puppetry were all very popular. Many of the stage plays involved dancers, mostly female, who adorned themselves in jewellery and exhibited lithe movements portraying beauty and flexibility, especially in bending the fingers back. The most common plays were called ‘khon’, which essentially feature scenes from the ‘Ramakien’, the Thai version of the Hindu epic ‘The Ramayana’.
Situated southwest of the Thai capital Bangkok, Phetchaburi is an old royal city, dating back to the ethnic Mon in the 8th century, and later, Khmer settlers. In 1860, King Mongkut (King Rama IV), built a palace near Phetchaburi, that became commonly known as 'Khao Wang', although its official name is Phra Nakorn Khiri, meaning 'Holy City Hill'. Located on the three peaks of the 92m-high hill are: the king's summer palace; a chedi with a Buddhist temple; and an astronomical observatory. The site was registered as a historical park in 1979, with two of the palace buildings now housing a branch of the Thai National Museum.
Fenghuang is Chinese for Phoenix and refers to the mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) the Phoenicians.<br/><br/> Legend suggests that two phoenixes on discovering the town hovered overhead for some considerable time before reluctantly flying away.<br/><br/> Fenghuang town is a well-preserved ancient town supposedly dating back to 248 BC. It is home to the Miao and Tujia minorities. The distinctive architecture includes Ming and Qing styles.
Fenghuang is Chinese for Phoenix and refers to the mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) the Phoenicians.<br/><br/> Legend suggests that two phoenixes on discovering the town hovered overhead for some considerable time before reluctantly flying away.<br/><br/> Fenghuang town is a well-preserved ancient town supposedly dating back to 248 BC. It is home to the Miao and Tujia minorities. The distinctive architecture includes Ming and Qing styles.
Fenghuang is Chinese for Phoenix and refers to the mythical sacred firebird that can be found in the mythologies of the Persians, Greeks, Romans, Egyptians, Chinese, and (according to Sanchuniathon) the Phoenicians.<br/><br/> Legend suggests that two phoenixes on discovering the town hovered overhead for some considerable time before reluctantly flying away.<br/><br/> Fenghuang town is a well-preserved ancient town supposedly dating back to 248 BC. It is home to the Miao and Tujia minorities. The distinctive architecture includes Ming and Qing styles.